In late February and early March, the information coming in about the coronavirus and guidance for social gatherings was changing almost every day. The number of people who could gather in one area kept getting smaller and smaller. That day, Harvard University informed students to not return to campus after spring break, which was the following week. They had been working on it for several months but could no longer perform it live and in-person. After many discussions and a vote, it was ultimately decided that the show must go on.

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The HBS Show began in with a handful of students, a few comedy sketches, song parodies, and one spotlight and now has transformed into a full-length Broadway style musical that is entirely written, directed, produced, and performed by HBS students. The show is written to encapsulate life at HBS within the context of a popular movie, musical, or television theme. You can literally apply any theme to the world of HBS It is a time for the community to laugh at ourselves Dean Nohria and Dee Leopold see themselves parodied each year and can attest that no one is spared when it comes to poking fun. However, it is also a time to celebrate the experiences we have had at HBS which is why the entire student body, faculty, staff and alumni fill Burden Auditorium every year. As writers and directors, we wanted the Show to be a vehicle through which the community came to laugh, be astounded by the talent of their classmates, find themselves and their experiences reflected on stage and leave feeling overwhelmed with happiness at having chosen to spend two years of their lives at HBS. If HBS could measure love, it would surely peak on campus during the week of the Show.
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The writers always treated the parody deftly; hardly a lyric was not changed, and yet the new lyrics still hewed to and creatively referenced the old in their structure. The story, which in other circumstances might easily have been a contrivance that served as little more than a vessel for the songs, was not phoned in; it had a real narrative that held together well. Dean Nohria preparing to take the helm of GE while enjoying some late-night Restaurant Associates poke bowl. Boddy of this Clue -inspired story, played the only character who is also a real person. It is challenging to play a caricature of the Dean without disrespecting him, but Agarwala threaded that needle subtly and well. Why is Professor Wadsworth also the butler? But it was the six color-coded MBA student characters who really got to shine, as their roles needed both comedic character acting and the dynamic range demanded by leads. Amateur orchestras can be hit-or-miss, but this one was all hit, and they were obviously having fun while still holding to nearly professional quality. The theater tech, led by technical director D.
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